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A unique collaboration between the Uffizi and the British Museum, this major exhibition features 100 exquisite drawings by Italian artists during the critical period of the Renaissance, from 1400 to 1510. Drawn from the two foremost collections in the field, the display charts the increasing importance of drawing during this period, featuring works by Leonardo da Vinci, Fra Angelico, Jacopo and Gentile Bellini, Botticelli, Carpaccio, Filippo Lippi, Mantegna, Michelangelo, Verrocchio and Titian.

In 15th-century Italy there was a fundamental shift in style and artistic thinking in the use of preparatory drawings. What began as a means of preserving artistic ideas became the ideal way to perfect more naturalistic forms and perspective – a new approach by painters, sculptors and architects.

Infrared and other technology used in conservation research provide fresh insights into how drawing allowed painters to experiment and explore with a freedom not always reflected in their finished works. Examples in the exhibition show the trend towards depiction of movement and expression of emotion, often inspired by classical antiquity.

This exhibition is a unique opportunity to discover the evolution of drawing which laid the foundations of the High Renaissance style of Michelangelo and Raphael.

‘Fra Angelico to Leonardo: Italian Renaissance Drawings’  -

By Eleanor Reed

  
On the 23rd June, as part of our ‘bridge to A2’ course, the Italian Department organised a trip for all year 12 students studying Italian to see the Fra Angelico to Leonardo: Italian Renaissance Drawings Exhibition at the British Museum.

I was greatly looking forward to this exhibition as it was a unique opportunity to see pieces of art which are rarely seen and not intended to be seen by large audiences.

The Exhibition was showcasing drawings taken from the collections of the Uffizi and the British Museum. It featured delicate masterpieces by artists such as Titian, Botticelli, Michelangelo and Raphael. Its intention was to show the increase in importance of drawings as the 15th century progressed and the shift in style and artistic thinking in the use of preparatory drawings.

It was very evident in this exhibition that drawing was not simply a way of preserving ideas but an artwork in itself. Artists were using drawing as a way to explore perspective and perfecting more naturalistic forms, creating a sense of freedom which is not always expressed in finished works of art.

The exhibition was extremely well designed and even though it was a very large exhibition space, I felt an intimacy with the drawings which was necessary to fully appreciate them.

The drawings themselves were enchanting. I was captivated by the fact that a few lines and splodges of ink on a course piece of paper could create such emotive and absorbing artwork.  They also, in my opinion, gave an insight into the artist’s mind. They represent physical evidence of the artist’s thought process as he sketched down his ideas for future masterpieces.

This trip was an excellent way of exposing us to Italian history and culture and everyone fully enjoyed it.